»




1 month ago
2,041 notes
fuckyeahjapanandkorea:

Whirling Down In The Wind by Matsuura 
2 months ago
18,278 notes

birdbrainblue:

mummymantis:

lizawithazed:

the-ghost-of-agentsama:

Japan will always get better commercials than us.

The best evidence of this is this series of Fanta commercials.

I fucking love the kids in these commercials they’re all like “man, FUCK this school”

oh my god

holy shit these kids are so exasperated with their wacky Japanese commercial teachers

i love this

3 months ago
266 notes
fuckyeahjapanandkorea:

Kinkaku-ji (by Prince Yiadom)
4 months ago
2,554 notes

黄金の猿の秘密の, chiharu okunugi and unknown model in the traditional japanese kimono (着物) for vogue nippon, november 2012

黄金の猿の秘密の, chiharu okunugi and unknown model in the traditional japanese kimono (着物) for vogue nippon, november 2012

4 months ago
236 notes
fuckyeahjapanandkorea:

Plitsch Platsch (by _mpenziwe_)

fuckyeahjapanandkorea:

Plitsch Platsch (by _mpenziwe_)

4 months ago
54,238 notes
justamus:

A rare vintage photograph of an onna-bugeisha, one of the female warriors of the upper social classes in feudal Japan.
Often mistakenly referred to as “female samurai”, female warriors have a long history in Japan, beginning long before samurai emerged as a warrior class.

justamus:

A rare vintage photograph of an onna-bugeisha, one of the female warriors of the upper social classes in feudal Japan.

Often mistakenly referred to as “female samurai”, female warriors have a long history in Japan, beginning long before samurai emerged as a warrior class.

5 months ago
251 notes
dreams-of-japan:

shibuya by honday_shovel on Flickr.
6 months ago
258 notes
fuckyeahjapanandkorea:

unbenannt by Guy Gene 
7 months ago
258 notes
fuckyeahjapanandkorea:

Gion (祇園) (by La Zirenetta)
8 months ago
258 notes
omgthatartifact:

Necklace
Ainu
The British Museum
“Necklaces were important heirlooms in Ainu society and were occasionally put out on display inside houses along with other prized possessions. They were worn by women on traditional formal occasions, but also to pose in front of the cameras of early travellers to Hokkaidō.
These necklaces are most commonly made of blue, black or white glass beads. An additional wooden medallion decorated with metal rosettes is sometimes added to the string, as is the case in this example. The glass beads were mostly obtained from China and mainland Japan and imported to Hokkaidō through the extensive trade links established by the Ainu with distant communities in Sakhalin, Manchuria, and closer neighbouring groups.
The Matsumae clan ruled over Hokkaidō as part of their fiefdom, occupying mainly the coastal areas. The role of the Matsumae retainers and the increased trading power of communities in Sakhalin during the eighteenth and nineteenth century narrowed the commercial exchanges of the Ainu. The prestige for the Ainu of goods from further afield, and of glass beads from China in particular, meant that the Matsumae would claim the beads were of imported origin even when they had been made in Hokkaidō itself.”

omgthatartifact:

Necklace

Ainu

The British Museum

“Necklaces were important heirlooms in Ainu society and were occasionally put out on display inside houses along with other prized possessions. They were worn by women on traditional formal occasions, but also to pose in front of the cameras of early travellers to Hokkaidō.

These necklaces are most commonly made of blue, black or white glass beads. An additional wooden medallion decorated with metal rosettes is sometimes added to the string, as is the case in this example. The glass beads were mostly obtained from China and mainland Japan and imported to Hokkaidō through the extensive trade links established by the Ainu with distant communities in Sakhalin, Manchuria, and closer neighbouring groups.

The Matsumae clan ruled over Hokkaidō as part of their fiefdom, occupying mainly the coastal areas. The role of the Matsumae retainers and the increased trading power of communities in Sakhalin during the eighteenth and nineteenth century narrowed the commercial exchanges of the Ainu. The prestige for the Ainu of goods from further afield, and of glass beads from China in particular, meant that the Matsumae would claim the beads were of imported origin even when they had been made in Hokkaidō itself.”